Favourite albums of 2009: Morrissey – Years of Refusal

Morissey_tb

Everyone grows out of their Morrissey phase??? except Morrissey.
??
That???s what comedian Sean Hughes once said, but I???m afraid I don???t agree with him. I???m 35 and I???m still in love with the Pope of Mope ??? perhaps more now than when I was, err, ???16, clumsy and shy???.
??
Yes ??? I???m throwing my arms around Morrissey. Why? Because he???s one of the only truly English pop eccentrics and great performers left – and he???s still making music that matters, courting controversy and dishing out pithy quotes like Manchester???s answer to Dorothy Parker.
??
My favourite recent one is: ???It will be worth being dead, just to get away from Victoria Beckham.??? I think we can all agree with those sentiments.
??
The last thing Chris Martin got het up about was probably the fact that he couldn???t get organic vegetables on the band???s rider. Whereas fellow vege Mozzer is still proclaiming meat is murder: ???Where would we be without it? The scent of dead animals. Death into your body. Hamburgers, yuk!???
??
Ah, it???s the way he tells ???em.
??
Seriously, in these dark times of retro-electro nonsense and lumpen indie-by-numbers, we need Mozzer more than ever. And quite frankly (Mr Shankly), his??latest studio??album, Years of Refusal,??was??one of his finest ever ??? the best thing he???s done since 1994???s Vauxhall and I ??? his solo masterpiece.
??
Unlike his last effort, the patchy Ringleader of the Tormentors, it was??more focused, urgent and direct ??? and, err, it didn't??feature any choirs of school kids.
??
It did, however, on the cover artwork, feature a creepy looking baby boy being held by a surly Mozzer, who appeared to be wearing some kind of, god forbid, hip-hop style markings on his arm. *Shudders*.
??
So, what about the music? Well, Mozzer, who, by the way??was 50 this year, (did he have an Unhappy Birthday?) sounded revitalised and rejuvenated.
??
On Ringleader, he sang of having ???explosive kegs between my legs??? ??? and this time around it sounded as if they???d gone off.
??
US alt.rock producer, Jerry Finn (Blink 182) who also worked on You Are The Quarry, gave the record plenty of balls. It started as it meant to go on, with Something Is Squeezing My Skull ??? a thrusting, turbo-charged rocker that could have come from Your Arsenal ??? his other solo career highlight.
???I???m doing very well,??? proclaimed Mozzer, over cranked-up guitars, on this ode to anti-depression drugs.
??
Next up, we were plunged straight into another full-on piledriver, Mama Lay Softly On The Riverbed, albeit with a thundering drum tattoo that sounded like an army marching into battle.
??
???Bailiffs with bad breath, I will slit their throats for you,??? promised Mozzer. Like a gentleman ganglord out to settle some old scores, he was??back in
business and he was??taking no prisoners.
??
And so it??went on, with more and more cracking, no-nonsense pop tunes that never overstayed their welcome.
??
Years of Refusal almost sounded like it could have been a Mozzer Greatest Hits collection, as most of the tracks would have??been great as singles.
??
When was the last time you heard anyone say that about a Morrissey studio album???Well, it was me, actually ??? in a pub in Camden in 1994, probably.
??
There was lovelorn melancholy (???I???m Throwing My Arms Around Paris???), Spaghetti Western-meets-???60s-death-disc (???When Last I Spoke To Carol???), epic balladry (???It???s Not Your Birthday Anymore???), creepy psych-rock (???Black Cloud???) and a rampant rockabilly blowout as a fitting finale – ???I???m OK By Myself???.
??
Who??were we to argue?
??
OK, to some, Mozzer is a past his sell-by date pantomime act, who???s retreading his former glories (And let???s face it, if you???ve never liked him, you???re not going to start now, are you?).
??
Well, I don???t believe that he???s now purely ???end of the pier??? – (although, in a stroke of genius, he did play a gig on the end of Great Yarmouth Pier ??? it was my favourite concert of 2009).
??
Mozzer is still a vital force in British pop music and one of our Greatest Living Englishmen.
??
He hinted in a recent interview that this album could be his last. Let???s hope not.
??
???You???re gonna miss me when I???m gone,??? he growled on the wonderfully arrogant new song All You Need Is Me.

Too bloody right we are.

Favourite albums of 2009: Pet Shop Boys – Yes

Pet_shop_boys

 

The Pet Shop Boys’ tenth studio album Yes was their best since 1990’s Behaviour, itself one of the finest records of that decade.

No-one does intelligent pop better than the Pet Shop Boys, and Yes was their poppiest album since 1993’s Very.

In fact, Yes was, ahem, very Pet Shop Boys. Never mind Che Guevara and Debussy to a disco beat, on the anthemic recent single All Over The World, they actually (see what I’ve done there) mixed rave bleeps with a Tchaikovsky sample. Very Pet Shop Boys, indeed, but then that’s the essence of PSB isn’t it?

When Neil Tennant’s clever, cultured approach collides with Chris Lowe’s love of the dancefloor, it creates the wittiest pop songs since The Smiths. The Queen is Dead meets queens of pop, if you like.

Which brings us neatly to Johnny Marr, who famously years ago described himself as, ‘the Carlos Alomar of the Pet Shop Boys’. He cropped up playing guitar and harmonica on several tunes from Yes – the ‘60s psyche-pop of Beautiful People (Mamas and Papas doing the theme from Midnight Cowboy, anyone?), the jangly riff on Did You See Me Coming?, which must (J Arthur) rank alongside Love Comes Quickly and So Hard as one of the best PSB innuendoes yet, and the HI-NRG Pandemonium – originally written for Kylie and based on Kate Moss and Pete Doherty’s stormy affair, it was the perfect mix of PSB, Stock, Aitken & Waterman and Motown.

Bolstering the PSB’s indie credibility was Owen Pallet, string arranger for Arcade Fire and Last Shadow Puppets, who worked his orchestral magic on Beautiful People and the epic Legacy – a grandiose closer that was inspired by Tony Blair’s departure and featured techno noodlings and a bizarre rant about a Carphone Warehouse salesman.

The largely commercial, chart-friendly sound of Yes wasn’t surprising, considering it was produced by Girls Aloud hit maker Brian Higgins/Xenomania, who also co-wrote three of the songs.

My own personal highlight, the moody The Way It Used To Be, is easily one of the greatest songs in the PSB’s vast canon of work. A melancholy tale of love gone wrong, it sounded like it could have come off Abba’s The Visitors album, albeit with a New York house music makeover.

PSB meets Girls Aloud? Ooh, it’s like The Sound of The Underground – the London Underground. That’ll be West End Girls Aloud, then.
Sorry.