The Oasis masterplan – Noel, sack Liam and you won’t look back in anger

Oasis

So, it finally happened, then.
I’ve reached that age when I prefer Noel Gallagher singing Oasis songs
to Liam.
All through my twenties, I said that I liked Liam belting out the
tracks, but after the band’s recent iTunes gig at London’s Roundhouse,
I’ve decided that’s just not the case anymore.
In fact, I’ve drawn up my own, ahem, masterplan for the future of Oasis.
Sack Liam – he’s a liability and a parody of himself. At the
Roundhouse show, he sauntered onstage in a fishtail parka (yawn) and
proceeded to heckle the crowd, swear during songs and, sometimes, not
even bother to sing his parts.
Spending most of the set acting like a surly teenager who couldn’t
get his own way, he only seemed enthusiastic when he sang the songs
that he’d penned – namely Songbird and I’m Outta Time.
For the majority of the show, he sulked around and insulted the
punters. Nothing was sacred – we got tiresome, childish rants about skinny jeans,
pointy shoes and, even, living in Camden.
It was left to his big brother Noel to save the night – dissing Liam (“Someone’s in a bad mood tonight.”)
and coming into his own for superb semi-acoustic performances of The
Masterplan, Half The World Away and Don’t Look Back In Anger – Oasis’
unsung hero, Gem Archer, playing mean electric guitar and expertly
taking the solos.
Acting like a moody brat is oh so 1994, Liam – we’ve all moved on
since then. You’re in one of the best UK rock and roll bands of the
last 20 years, so, for god’s sake, show that you care. Just as the
Britpop Oasis versus Blur battle comes back to haunt us, Liam has
let the side down.
His band are, musically, better than they’ve ever been, but the
Roundhouse performance was tarnished by his sloppy, childish
behaviour. During My Big Mouth, he simply gave up singing and went to sit
on the drum riser, leaving Noel to take up the slack.
By the way, Noel, if you’re reading this, dump Liam, front the band yourself and become a Dadrock outfit in the vein of Weller
and his current musical cohorts. You may not be as rock and roll as
you were in the past, but at least you’ll maintain some dignity and
some musical credibilty – and perform some professional shows.
Liam – sorry mate, you’re outta time.

Britpop – the case for the defence

Britpop


 

 

 
 
Rather unfairly, Britpop has become a dirty word.
I loved Britpop – and still do. Let’s face it; it was the
most exciting time in British music since the ‘60s.
And if you don’t agree with me, then, frankly, I don’t give a Shed Seven.
To mark the 15th anniversary of the beginnings of Britpop, I’m
currently listening to Common People. Britpop: The Story – a lovely
three-CD (54-track) box set that reads like the jukebox of the Good
Mixer in the mid-‘90s, rounding up the great and good from the Britpop
era. Oh, and Northern Uproar are on there, too.
Top bloke Bob Stanley (St Etienne) has written the in-depth sleeve
notes and there’s a great 24-page booklet, too. Brilliant, I can
relive my teenage fantasies thanks to pictures of Louise Wener and
Sonya from Echobelly! Honestly, it’s enough to make my Mozzer-style
quiff stand on end…..
Bizarrely, the album totally ignores any tunes from Oasis or Blur,
but, it does include plenty of forgotten gems that will have you
rummaging around in your wardrobe to drag out your skinny-fit Sleeper
T-shirt or your Fred Perry top (alas, mine don’t fit me anymore – not
enough cigarettes and too much alcohol) and doing Dick Van Dyke
chimney sweep dancing, quicker than you can say: ‘you can’t get
thicker than a shit Rick Witter’.
What’s cool about this compilation is that it’s not afraid to include
some lesser known Britpop beauties.
I’m made up to see that my faves Rialto, Gene and Spearmint are
represented – Louis Eliot’s cinematic popsters offer up the genius,
Scott Walker-like melodrama of Monday Morning 5:19, while Martin
Rossiter’s sauve, Smiths-like outfit give us the swaggering, late
night London taxi rank anthem that is Be My Light, Be My Guide, and
Spearmint go all Northern soul on us with the superb Sweeping The
Nation.
Top marks, too, for including London Girls by Duffy (no – not the
Welsh warbler). Arguably the quintessential Britpop tune, it’s both
cynical and celebratory of the whole Camden ‘90s indie scene.
Controversially, I’m also loving the cracking
Neil-Young-meets-The-Byrds guitar epic Step Into My World by Creation
also-rans Hurricane#1, but then I am slightly biased, as I’m in a band
with their former singer, Alex Lowe. Ahem,
Ok, so we can do without the dodgy Dadrock of Cast, Kula Shaker and
Ocean Colour Scene, but who cares when you’ve got, err, Dodgy’s
hedonistic Staying Out For The Summer (they always use it on local TV
news shows when they’re doing a piece on festivals, don’t they?), the
equally summer-friendly Wake Up Boo! (The Boo Radleys), Menswear’s
sleazy Daydreamer and My Life Story’s grandiose showstopper, 12
Reasons Why.
If we’re being picky, why not include Suede’s Animal Nitrate over
Trash? And where’s Blur’s and Oasis’s best moments – namely This Is A
Low and Acquiesce?
Hold on a minute – how about Cathy Dennis’s version of Waterloo
Sunset, and why can’t we have Speedy’s teenage pin-up masterpiece Boy
Wonder? What about Octopus’s Jealousy, Thurman’s English Tea and Me Me
Me’s Hanging Around?
Anyway, as a representation of the mighty Britpop years, this album
is, err, Alright (yes -that’s on there) and will no doubt be
soundtracking the barbecues of thirty something couples everywhere
this summer.
Britpop’s back: ooh, I’m so excited I could crush a (Black) grape.
 
Common People. Britpop: The Story (Universal Music) is out now.
 
 
Original article available here:
http://popjunkietv.com/2009/06/02/we-love-britpop-just-like-it-was-in-the-old…