Dead Flamingoes: "Fairport folk, sea shanties and murder ballads"

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Just last week, I was exploring the promo CD section of an independent record shop in Soho and I came across a copy of Habit – the debut EP by new act Dead Flamingoes – aka singer /songwriter and session guitarist James Walbourne (Pete Bruntnell, Pernice Brothers, Son Volt, The Pogues, The Pretenders and Jerry Lee Lewis) and vocalist Kami Thompson, the daughter of folk duo Richard and Linda Thompson.  

 I hastily parted with my money for it, as I’d read rumours online about the partnership and was eager to hear the fruits of the collaboration (James’s solo album The Hill was one of my favourite records of 2011 : http://sayitwithgarageflowers.posterous.com/top-15-albums-of-2011)

Well, I’m glad to say it was worth every penny. Recorded in Edwyn Collins’s West Heath Studios in North West London (Collins produced and engineered it, too), Habit opens with a rollicking sea shanty called The Jealous Sailor – James’s guitar whipping up a salty sea spray of a tune. The song also name checks ‘Portsmouth’ which could be a first in pop – that’s if you ignore Mike Oldfield’s instrumental called Portsmouth, which, to be fair, is good advice.

Next up is Hold Your Fire – a ghostly folk-rock track that recalls Fairport Convention -Kami’s vocals remind me of Sandy Denny’s. It’s a dark tale, written and sung from the perspective of a lover whose partner has committed suicide, thereby effectively ending her life, too:  “You killed yourself and promptly murdered me… before you fed your neck through the noose, did you fashion one for me?” Chilling stuff.

On a (slightly) lighter note, the gorgeous Bonnie Portmore is a traditional Irish ballad which laments the loss of Ireland’s oak forests, while the title track (Habit) is a love song with a ramshackle, campfire feel, that sounds like it’s the sort of tune that’s been around for years, handed down from generation to generation and sung in taverns on dark winter nights: “Sinking like a ship on a stormy sea, my poor heart breaks in two.”).  Listen out for the woozy guitar break half way through – it’s simply delightful.

There’s no doubt about it, the Habit EP is seriously addictive.

 

http://soundcloud.com/dead-flamingoes

 

http://aedrecords.com/artists.php?artist=10

 

Habit by Dead Flamingoes is out on AED Records on April 28.

Lucette: "Sweet and smouldering country-pop"

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It’s been a long time since I’ve heard a new female solo vocalist that really impressed me. Until now, that is.
I was lucky enough to see 20 year-old country-folk singer/songwriter Lucette (real name Lauren Gillis), who is from Edmonton, Canada, play a support act for The Secret Sisters at The Ruby Lounge, in Manchester a few weeks back. And she blew me away.
I was instantly reminded of Bobbie Gentry and when she did a smouldering cover version of Ryan Adams’s Sweet Carolina, I knew that she had impeccable taste. Another highlight of her set was the moody River Rising, which rolled along on a bed of bluesy piano.
Recorded in Nashville, with producer Dave Cobb (Waylon Jennings and The Secret Sisters) Lucette’s three-track debut EP – Baby I Want You Home – includes gorgeous, 60s-styled, twinkling pop balladry (the title song) and sweet, shuffling back porch country (Dream With Me Dream), but the real surprise is Bobby Reid – a dark and haunting tale of murder and a blood-red river, set to a clanking chain gang rhythm. It has echoes of Bobbie Gentry’s eerie classic Ode To Billie Joe.
Lucette is currently recording new material in Nashville – it will be great to hear what she comes up with. She’s also promised to find some time to do an interview for my blog, so maybe we’ll get an exclusive…. More news soon.