Sweethearts of the Rodeo

 

CarouselsWhat is it about Scottish guitar bands and their love of The Byrds?

From Teenage Fanclub to Primal Scream, Cosmic Rough Riders, BMX Bandits and Whiteout, there are plenty of acts – past and present – from north of the border that owe their existence to Roger McGuinn and co’s Rickenbacker-led jangle-pop.

To that list we can add The Carousels, who hail from the town of Keith in north east Scotland.

On the band’s gorgeous second album, Sail Me Home, St.Clair – out now on Sugarbush Records – it’s largely the sound of The Byrds in 1968 that The Carousels have, er, taken under their wing. It’s clear that they’ve been seduced by Sweetheart of the Rodeo – the seminal country-rock album that The Byrds released when Gram Parsons joined their line-up.

Lap steel and pedal steel are the order of the day – opening track, the jaunty Josephine sounds like The Beachboys’ Barbara Ann slowed down and reinvented as a rolling country blues song.

Lord Speed My Hurricane has echoes of vintage Neil Young (and not just in the title), but adds some fiddle, while Lake Eloise doffs its cowboy hat to The Flying Burrito Brothers.

There’s a ’60s folk-girl-pop feel to Little Darlin’ – it could easily have come from Nico’s Chelsea Girl – while New Morning (which shares its title with a 1970 Bob Dylan album) is cosmic Americana, and the travelogue lyric of By Your Side mentions the Nashville skyline – another Dylan reference.

Sail Me Home, St. Clair is a wondrous voyage – like taking a trip upon a magic swirling ship…kontiki suite.jpg

Also out on Sugarbush Records this month is another record that owes a large debt to The Byrds. Available on vinyl for the first time, On Sunset Lake is the 2013 debut by Kontiki Suite, who come from Carlisle.

Living on the outskirts of the Lake District has rubbed off on songwriter Benjamin Singh – the album’s first track, Down By The Lake, is shimmering and beautiful – a sunset soundtrack, with haunting lap steel guitar.

Watching Over Me is blissful jingle-jangle pop, while on the yearning Hollywood, Singh is [California] dreaming about being part of the LA scene.

See You in the Morning takes a trip into the psychedelic country-rock territory that The Byrds explored on The Notorious Byrd Brothers, and In My Head has some great, acid-fried, electric guitar solos.

The album ends in a magnificently mystical fashion with the raga-rock epic Magic Carpet Ride.

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Fellow Byrds lovers GospelbeacH  – the US outfit formed by ex-Beachwood Sparks member Brent Rademaker – can also be found hanging out in the desert. In fact, the opening song on their second album, Another Summer Of Love (Alive Naturalsound Records) is actually called In The Desert, although, strangely,  it references The Jam’s In The City.

Another Summer Of Love is a record that’s in love with ’70s FM rock and it sounds like it was great fun to make. It’s full of killer power-pop tunes (Hangin’ On, (i wanna see u) All The Time and California Fantasy) – Rademaker is a huge fan of Cheap Trick and The Cars.

There’s also a Tom Petty sound-a-like song (Strange Days) and a glorious country-rock track called You’re Already Home, with some tasty, twangy guitar licks and groovy flute sounds.

The album features keyboardist Jonny Niemann playing a Mellotron that was used by rock band America on their ’70s recordings. You can clearly hear it on the big ballad I Don’t Wanna Lose You, which would sound great drifting out of a car stereo while driving along the Pacific Coast Highway.

Another Summer Of Love is here – it’s time to soak up some California sunshine.

 

Sail Me Home, St.Clair by The Carousels and On Sunset Lake by Kontiki Suite are both available now on vinyl from Sugarbush Records.

For more information, please visit:

https://www.facebook.com/thecarouselsuk/

https://kontikisuite.bandcamp.com/

Another Summer Of Love by GospelbeacH is released on Alive Naturalsound Records on June 15 – vinyl/ CD and download

http://www.alive-records.com/artist/gospelbeach/

 

 

 

 

 

The power of good

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Things may be seriously amiss in the corridors of power, but, thankfully, all is well in the world of power pop. In fact, it’s in rude health.

If you need proof, look no further than some of the latest releases on UK vinyl-only label Sugarbush Records and Spain’s You Are The Cosmos.

If you’re unfamiliar with Sugarbush’s output, then a good place to start is the new compilation album, A Spoonful of Sugarbush – a 13-track sampler LP that brings together a whole bunch of tracks by various artists that are otherwise unavailable on vinyl.

Limited to only 300 copies – 150 on green vinyl and 150 on red – this is an essential collection of hook-laden, retro guitar pop.

There’s no messing about – things get off to a great start with the jangly Stormy Skies and Starry Nights by Caddy from Norway, which reminds me of classic Teenage Fanclub.

It’s hard to pick out highlights, but here are a few: Algernon by Detroit’s The Hangabouts – essentially, Fountains of Wayne doing psych-pop; Ticket With No Return, by English act The Orgone Box – think Revolver-era Beatles – and the irresistible Take It From Me by US singer-songwriter Chris Richards.

Sugarbush Records’ head honcho, Markus Holler, has even included one of his own tracks on the album – a perk of the job, eh? – and it’s a belter – the Cotton Mather-esque Little Pretender.

And all of those songs are only on side one… Flip it over and you get the swirling, psychedelic sounds of Maladantive Solution and Green Pajamas, and the Future Harmonies’ faithful rendition of the theme tune from ‘70s sitcom Whatever Happened To The Likely Lads?

There’s no doubt about it – A Spoonful of Sugarbush is just the thing to help the medicine go down.

And as if that’s not [Matthew] sweet enough, Spanish label You Are The Cosmos has also recently served up some delicious power pop treats.

King Without A Throne by David Brookings is a 12-track Best Of collection on vinyl that includes material from all seven of the US singer-songwriter’s albums released between 2000-2016.

Opener Time To Go is hugely hummable and high on harmonies, the title track is a big, mid-paced, radio-friendly ballad about being dumped – it sounds like it should be on the soundtrack of a romcom or a teen angst movie – the country-tinged Tough Crowd is an ode to playing to unreceptive audiences, and The Greatest Songwriter No One Ever Heard is an anthem for frustrated, undiscovered musicians everywhere.

Funnily enough, Ronnie D’Addario – whose Best Of 1976-1983 LP is also out now on You Are The Cosmos – could be the greatest songwriter no one ever heard.

He’s the dad of brothers Brian and Michael D’Addario, from New York hipsters The Lemon Twigs, and sublime Beachboys and Beatles-inspired pop is his specialty. And there’s plenty of it on offer on this classy 12-track compilation.

The piano-led I’m On To Something is pure McCartney and the gorgeous Falling For Love is a ballad that sounds like it was found buried in Brian Wilson’s sandbox.

Ronnie’s three studio albums – Take In A Show (1976), Falling For Love (1981) and Good For You (1983) are also available in a three CD box set on You Are The Cosmos.

Finally, also out in power-pop land this month – on Buchipluma Records – is Fear The Summer – the third album from one-man band Colman Gota, the former member of Madrid-based act Insanity Wave.

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Colman Gota

The record is co-engineered by Mitch Easter (R.E.M and Velvet Crush), and as someone who suffers from a fear of summer, I was particularly drawn to the superb title track, which kicks off the album with a howl of guitar, before letting loose with a chugging rhythm, spacey New Wave sounds and some serious organ, like Elvis Costello and The Attractions doing fuzz-pop. It’s going to be my anti-summer soundtrack.

Call It Quits, What You Want Me To Be and Make A Stand – which is driven by a cool bass groove – are gloriously defiant, power-pop anthems.

In the press release that accompanies the album, Colman says: “Should you still be rocking in your forties? Yes, you should.”

He adds: “These days you have the feeling, that society condemns you to solitary confinement if you are not young and beautiful and if you don’t comply with some unwritten rules. Well it’s time to rebel against all that…. or write a great song about it.”

With Fear The Summer, he’s written a whole bunch of ‘em. More power to him.

 

For more information on all of these records – which are out now – please visit:

http://www.sugarbushrecords.com/

http://www.youarethecosmos.com/

https://www.facebook.com/colmantheband/