Those of you who are familiar with velvet-voiced crooner
Richard Hawley will know that the sea is a recurring theme in his
work.Sheffield’s answer to Roy Orbison even recently hosted a Radio 2 show
called The Ocean, which was named after his song of the same name and
looked at the history of seafaring towns in the UK.New from Hawley this month is False Lights From The Land – a limited
edition EP that’s made up of four tracks that are all
inspired by the sea.Comprising two original Hawley compositions
(Remorse Code and There’s A Storm A Coming) and two cover versions of
sea shanties (The Ellan Vannin Tragedy and Shallow Brown), it’s a
great little record that has drawn me in like, ahem, false lights from
the land.Remorse Code was featured on Hawley’s last album, the wonderful
Truelove’s Gutter, and at nearly 10 minutes long is a spiralling,
twilight ballad that’s loaded with nautical imagery, but is also about
a friend who has gone off course and sunk to unimaginable depths,
driven by drink and drugs. It’s a beautiful song, laced with gorgeous
twangy guitar and slightly eerie atmospherics.The other original song could have been lifted from his
Coles Corner album. There’s A Storm A Coming is yet another sublime
Hawley ballad, but lighter than his latest work, it’s a shuffling,
sentimental ’50s-style pop tune that sounds like it’s been around
forever. One for the mums and dads. And for melancholy muso journos in
their late thirties. Lovely.Both of the remaining two tracks feature female folk duo The Smoke
Fairies (terrible name). Shallow Brown is a traditional acapella
number, but the real gem is The Ellan Vannin Tragedy.A mournful, haunting folk song written by Hugh E Jones of The Spinners,
it tells the tale of a ship that sank in ferocious waters just outside
Liverpool after leaving Ramsey on the Isle of Man on 3 December 1909,
losing all 21 crew and 14 passengers.Hawley’s version sounds like he’s set sail on a ship bound for hell,
with Nick Cave as the captain, while a funereal cello drones in the??background.??Careful – it’ll drag you under and you’ll never be seen again.
Storming stuff, indeed.
rockabilly
Greasy does it!
Rock and roll has returned to West Hampstead!
This pleasant part of London has always played its part in musical
history, from The Beatles and Billy Fury at Decca studios,
to Joy Division’s legendary gigs at the Moonlight Club.
Now eccentric musician, writer and all round good egg John Moore
(Black Box Recorder & former drummer with The Jesus and Mary Chain) is
taking his place alongside The Fab Four, Fury and Ian Curtis with his
latest musical venture – a rockabilly/retro band & club night – the
brilliantly named Greaser 2000.
In the dark and dingy surroundings of The Lower Ground Bar, on West
End Lane, The John Moore Rock and Roll Trio (also featuring former
Jesus And Mary Chain musicians Phil King and Loz Colbert) play cover
versions of rock and roll classics from the likes of Bo Diddley, Marc
Bolan and Eddie Cochran. (The John Moore Rock and Roll Trio’s debut
album Roll Your Activator Volume 1 is out now). The fun doesn’t end
there – before and after the band, disc jockeys spin popular discs
from bygone days.
I turned up my jeans, greased up my quiff and headed down there last
night and I must say I had a great time. I even ended up doing rock
and roll dancing with a lovely couple from Leeds who were on their
holidays – yep, it’s that kind of night.
Simply Bryliant!
Greaser 2000 takes place at Lower Ground Bar, West Hampstead – everyfortnight (the first one was April 15).
More info here:
http://www.john-moore.net/greaser-2000-club-night-starts-thu-15th-april-every…



