‘I’m a bit surprised at how well it’s gone – there’s a really good feeling and we’re inspired’

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Bennett Wilson Poole – photo by John Morgan

It’s been an amazing year for Bennett Wilson Poole, the UK Americana and jangle-pop supergroup formed by Robin Bennett  (The Dreaming Spires), Danny Wilson (Grand Drive, Danny and the Champions of the World) and Tony Poole (‘70s rockers Starry Eyed and Laughing – ‘the English Byrds’). 

Their self-titled debut album has received great reviews – it’s Say It With Garage Flowers’ favourite record of 2018 – and the band has played a string of well-attended shows, been nominated twice in the UK Americana 2019 Awards – for UK Album of the Year and UK Artist of the Year – and played live on The Andrew Marr Show on BBC TV and Robert Elms’ BBC Radio London show.

In an exclusive interview, Danny Wilson reflects on the group’s success, chooses some of his favourite albums of 2018 and gives us a sneak preview of what Bennett Wilson Poole have planned for next year… Could there be a second album on the way?

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Q & A

I’m delighted to tell you that your record, Bennett Wilson Poole, is my favourite album of the year… I’m going to publish the full list later this month, but I wanted to give you the heads-up…

Danny Wilson: What an honour! I didn’t think it would be your album of the year… I wouldn’t have dreamed of it! I loved making the album with the other guys and I think it’s a great record.

I was the first journalist to interview Bennett Wilson Poole, back in February this year, after your second ever gig, which was at the Union Chapel, in Islington…

DW: You certainly were…

It’s been a great year for you, hasn’t it? There’s a lot of love for Bennett Wilson Poole out there…

DW: There is – it’s touching. It’s really lovely. I’m a bit surprised at how well it’s gone – not because the music isn’t good, but because you just never know… You can spend years in your main bands trying to push an elephant up the stairs and it’s tough… I think all of our combined histories have helped – they’ve made it more palatable and immediate for people to get into.

It’s not easy for anyone, but the shows have been selling – when the wheels are greased a little, it’s really nice. We’re not turning up to shows and wondering if anyone’s going to be there, which makes life a lot easier. Things have gathered a bit of steam.

You’ve been nominated for two UK Americana Awards – the winners will be announced in January 2019…

DW: I’m totally thrilled that we’ve been nominated – it’s amazing. I really hope that we win one – Danny and the Champs won a few and it does have a knock-on effect in terms of bums on seats – you can’t argue with that. We’re really honoured to have been nominated – if we get given the thumbs-up by people, that’s a lovely thing.

When you appeared on the Robert Elms radio show recently, you played a great new song called I Wanna Love You (But I Can’t Right Now). It has a very poignant lyric and an instantly addictive melody. It’s a song about falling out of love with America because of the current political situation, but it also celebrates some of the great things that America has brought us, including Andy Warhol, Jack Kerouac’s On The Road, De La Soul, Aretha Franklin, The Grateful Dead, Bob Dylan and Martin Luther King…

DW: It’s a love song to America. – Robin and I wrote the song together. Weirdly, Bennett Wilson Poole is the only act I’ve ever been in that’s overtly political in any way. I like protest songs and political music – Ohio by Crosby, Stills, Nash & Young; Billy Bragg; Paul Weller; Elvis Costello – even Simply Red – but I’ve never felt in a position to do it.

It’s fairly obvious that everyone involved in the Bennett Wilson Poole project are humanists – they want the best for people who aren’t getting the help they need, but that’s about as far as I’ve ever gone in terms of being overtly political – being a friendly person. I think everybody should be like that, regardless of their politics, but with Bennett Wilson Poole it’s the first time I’ve done political songs.

‘Bennett Wilson Poole is the only act I’ve ever been in that’s overtly political in any way. I like protest songs and political music, but I’ve never felt in a position to do it’

So can we expect a second Bennett Wilson Poole album next year?

DW: I think so – there’s lots of material. It’s been really easy – they are around 17 new songs we’ve written that are all tailor-made. There’s a really good feeling – we’re inspired by Tony and the reception that he’s getting at this stage in his career.

Will you be playing any new songs at your upcoming gigs in Oxford and London this month?

DW: I think we’ll certainly do one or two.

TwelveStringPortada-3You’ve also recorded a cover version of Phil Ochs’ song Changes for a new compilation album that’s just been released – Twelve String High Vol 3: The Last Jingle Jangle Adventure. You’ve given the song a Bennett Wilson Poole jangle-pop makeover…

DW: Yes – It’s very Byrdsian and it’s lovely. Someone from outside of the band suggested that we do it. We have mooted the idea of a covers album – we’ve written a list of songs for it. I wrote an exhaustive list. I don’t know where to go with it – whether it should be like Matthew Sweet and Susanna Hoffs’ wonderful covers albums, where every song is a classic, or to make it much more obscure, but that might be one nerdy step too far… I’m thinking of stuff by The Beau Brummels and some songs from Dion’s folk-rock period, but we’ll see.

What are your favourite albums of the year?

DW: Ryley Walker’s The Lillywhite Sessions is totally amazing – it’s a reimagining of a Dave Matthews Band album that was unreleased. Damien Jurado’s new album [The Horizon Just Laughed] is fantastic and there’s one particular record by Dios [Life Between The Tides] that’s like a shoegazing cross between Neil Young and The Beachboys – it’s a really great record, but no one has been banging on about it. I also liked the new J Mascis album [Elastic Days]. I bought a lot of records this year, as I own a record shop [Union Music Store in Lewes, East Sussex]. I like all the stuff on Loose too – they’re going from strength to strength. They’re my friends and I respect and admire them – they’re amazing.

Finally, any plans for a new album by Danny and the Champs?

DW: Yeah – I think so. We’ve got some gigs booked in Spain and I’ve been just putting together a playlist for the guys of stuff that is informing my thinking on the next Champs album and it’s really not what anyone would expect. It doesn’t mean the album will sound like that, but there will be elements of it.

If the next Champs album turns out like I think it will – although it never quite does – it will be trying to push the envelope in certain directions. I’m really excited about it. I don’t want to make another Champs record that sounds like any of the others – there’s no reason to.

I guess I’m getting my serious folk-country-rock fix from Bennett Wilson Poole at the moment, so I don’t need to add to that. At some point there will be a folk-rock-Americana logjam and I don’t want to contribute to that – I’d rather take a left turn. I’m also going to do a solo album at some point – I don’t what I’m going to do with it, but it will either be an acoustic singer-songwriter record, or I might do a jazz album!

•Bennett Wilson Poole’s self-titled debut album is out now on Aurora Records. The band are playing shows this month at The Bullingdon Arms in Oxford (December 7) and Kings Place, London (December 8).

For more information,  visit: https://www.bennettwilsonpoole.com/

 

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